We then continued and moved onto a garment that can be nurtured and looked after for years and simultaneously be a staple piece for any wardrobe, and that was denim jeans. We wanted to create an experience for the customer that allowed their purchase to feel that little bit more special and personal, so we allowed (and still do) them to pick the level of distressing they wanted on the denim. So if you wanted something a little bit more under the radar, you could go for the low distressing, and if you wanted to go for something a little bit more garish, then you had the option for that too.
As a brand we are trying to create something that is not only clothing but something that can evolve into much more,
An example of this would be the fact that back in 2015 when we did a shoot with Sonny Hall, a very well known and respected model in the industry, having been the campaign face for brands such as Burberry and Fred Perry. We shot our first editorial with him in a very picturesque location in Central London, that allowed us to have a very strong set of work to initially launch into the fashion world, showing the nitty-gritty streets of London but cohesively allowing the clothes to do the talking. On the contrary to this, we then did a shoot with somebody who was not known in the fashion industry in anyway shape or form, and this was and is our way of giving back even to the people we work with.
Wanting to push the boundaries and create something completely different to what we had produced already, we sat and had a think of what we wanted to do next. After the success of our ‘Box’ Denim we released, we thought we wanted to keep in theme with this, so we contacted none other than up and coming custom artist Josh Conyers. Josh is a very talented artist that works on a variety of materials for custom garments and accessories, made to order. So we decided to contact him to see if he was interested in
collaborating on a black denim jacket for the site, and to our surprise he was. We decided to design a large hand painted image of a still life of a woman from the view of her back, with our signature box design surrounding the art. The reason we wanted to do this was to encapsulate the beauty of the human body in the most mindful way, something that isn’t usually the case on social media or within online content that you tend to see.
Once this had blown over, we were shocked but pleased to hear that Post Malone wanted some of our garments, so we decided what we were going to get ready, and from there we met him at a hotel in London and had a wonderful evening with his team.
Finally, we had an opportunity that was the perfect way to round off the year which was to appear in GQ Magazine. We were just checking emails one Monday morning when we had a notification. We had been offered a spot in the upcoming November issue of GQ. We decided to go ahead as it was an absolute honour to be a part of such a staple in mens lifestyle. The reception for the appearance was incredible so they asked to be in it for the December issue, but we were also asked to be part of the January/February special which we couldn’t refuse.
This is STHROUGHJ so far.